
Click on the link below to get more information about this Festival, which starts on February 09

Promoting Chicago as a global cultural destination
2846 W North Ave, 2nd Floor, Chicago IL 60647
(Meet at side entrance on FRANCISCO AVE)
See map here
COST
$20 per workshop ($25 without RSVP)
Please RSVP via Facebook as attending
Or via chicagourbanite@hotmail.com (Subject: “Workshop”)
=======GET $10 OFF IF YOU TAKE BOTH WORKSHOPS========
PLEASE:
-ARRIVE 15 MINUTES EARLY
Everyone has to get here early because it’s a locked building so I have to let you in when you get here. We will start on time! 🙂
-Wear work out clothes
-If possible, don’t wear shoes in studio unless they are indoor shoes
Soulphonetic’s Christian Vera is turning 30 this month. Soulphonetics is a DJ collective that spins the soulful sounds of House, Jazz and all forms of Afro-Latin and Electronic rhythms. I have been to some of their Dance Syndrome parties and have always had a blast. Christian will be celebrating with some of Chicago’s best DJs such as Sound Culture and DJ New Life, up and coming hip-hop crew PRESTON & JOEY PURPS, and international carioca bass queen Zuzuka Poderosa.
Zuzuka Poderosa drops Brazilian bred, BK-based swagger like no other. A stylistic blend of Funk Carioca Bass and NYC rumble add a breath of fresh air to today’s international music scene.
Friday, February 10, 2012
9:00 pm – 2:00 am
BEAUTY BAR
1444 West Chicago Avenue
Chicago, IL 60642
Get Directions
$5 cover (21+)
Dr. Martin Luther King Jr: Thank you for your beautiful life and legacy. Happy Birthday! http://ow.ly/i/pleF
Saturday 1/21: Come to the 4th Annual Winter Block Party for Chicago’s Hip-Hop Arts | WBEZ http://ow.ly/8omtR
Who wants to try something new tonight? I do! For the first time, I will be playing gong percussion in an orchestra inspired by traditional Japanese Folk with Nakatani Gong Orchestra. This event is part of a series of concerts organized by Umbrella Music, a Chicago-based collective dedicated to presenting jazz and improvised music. Since its inception the group has pooled resources to promote Chicago as an international hub for cutting-edge improvised music. Please join me at this Improvised Music Series concert tonight at
Elastic
2830 N Milwaukee Ave
10PM – $10 cover charge
Hope to see you there!
What do you get when you mix electric guitars with the sound of indigenous Touareg music made by guitar poets and soul rebels from the Sahara desert? The answer is Tinariwen, a band that was founded in the 1980s by nomadic Touareg musicians/rebel fighters from the Southern Sahara Desert in Mali. Yes, at one point in their lives, some of the band members used firearms to defend their people, but these days they use guitars to express their aspirations, and they do it superbly. The band stopped by in Chicago last Friday for a live performance at Metro and to promote their fifth album titled Tassili. A musician friend of mine told me about their music and how great they were, so I knew they were going to be good, but I did not expect them to be amazing.These guys are super talented. Friday concert was my first encounter with their music but it certainly won’t be the last: I am hooked.
The guys from Tinariwen took the stage wearing clothes “à la Touareg”: loose-fitting robes and except for Ibrahim Ag Alhabib, the lead guitar and founder of the band, they had veils covering their heads and hair, some even with their faces covered. Tinariwen means “the Deserts” in Tamashek (the language of the Touareg), and like their name, their music has some of the qualities associated with a dessert: it is mysterious, hypnotic, undulating, inviting you to fall into a trance-like state. Their psychedelic sound is dominated by electric guitar and bass playing mixed with traditional percussion instruments. Some people call it Desert Blues. For their new album though, they opted for acoustic sounds, so an acoustic guitar was also part of the mix. The guitars played a preponderant role during the concert, but the bass and the percussion players stole the show at many points. Those guys are monsters! Complementing the talent of the guitar, bass, and percussion players was the singing in Tamashek that felt at times like mantras for meditation, and the undulating dance movements of one of the band members. His movements reminded me of the movements of the sand dunes in a desert. The crowd (including myself) could not help but fall under their spell.
This was the second time they performed in Chicago this year, and after attending their concert this last Friday, I can understand why they would come two times the same year: it is a love relationship. The crowd fed the band with an incredible energy, and in return, they played three encores and shouted “I love Chicago!” in various occasions during the show. For those of you who have not had the pleasure to hear their music, you should fix that a.s.a.p. Here is a sample of it:
An enthusiastic crowd welcomed the Gipsy Kings last Thursday at Ravinia, a place that has become their second home in Chicago. Although the concert felt somewhat short, they pleased the audience by playing many of their popular songs such as Djobi Djoba, Un Amor, A Tu Vera, Caramelo, Volare and Bamboleo. The Kings also played some songs with a strong Latino influence such as Samba Samba, Sabroso, and the solo of cajon and congas. The highlight of the show happened at the end of the concert, when the band allowed the ladies in the audience to get on the stage and dance with them. Many of these ladies were dancing around them seductively. The Kings, as good professionals, were able to keep playing without missing a single beat.

Chicago was the last city of their American Tour this year. Fortunately, it was a perfect evening to close the tour with an outdoors concert. The lawn at Ravinia was packed with fans from around the world. Walking through it, you could hear a multitude of foreign languages being spoken. One of the people sitting at the lawn was Natasha Boyderman, who came to Ravinia from Sauganash, a neighborhood located in the Northwest side of Chicago. In her group alone there were people from Cuba, China, Chile, Germany, Italy,Macedonia, Mexico, Russia, Syria, and the United States. Natasha mentioned that she likes the diversity of people that go to Ravinia to see the Gipsy Kings. She considers that it is very important for Chicago and for all ethnic groups to gather together in one place and that a Gipsy Kings concert is the perfect opportunity for this to happen. “Diversity – she stated- is definitely what makes us unified and stronger”.

After the concert, I was able to talk to a charming Andre Reyes, who plays the guitar and does back up vocals in the band. Andre told me that he loves Chicago food and that he enjoys the atmosphere and the crowd at Ravinia. He also explained that the band is a family affair. They are all cousins from two related gypsy families with roots in Barcelona, Spain: the Reyes and the Balliardos. The cousins met by chance at Montpellier, France, more than two decades ago. After jamming together on that occasion, they decided to start the group. Despite being so famous, Andre is a very approachable artist. Nicolas Reyes, his brother and the lead singer of the band, has the same charismatic demeanor. Maybe this is part of the secret for their sustained success. The Gipsy Kings are still going strong and are able to move our souls (and feet) with their wonderful music.